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"One scene, when La Motta prepares for a ferocious beating by Robinson, shows him in a terrifyingly patient exaltation of anticipation of pain that, he knows, he well deserves for the pain that he has caused those closest to him. It’s a moment of conscience in torment that glows and flares only briefly, but with an intensity to burn a hole in the screen."

newyorker.com/culture/the-fron

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