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@synlogic That is a good point.
CCing @freemo here who is responsible for the advert - so can I ask you to answer that because someone is asking about pay and tech stack usage. Thanks @freemo

🖥️ Computing in 2024 alone has caused so much waste (bloat) and suffering (energy/planet).

👬 Maybe it's about time we look at working on people together at the same time a lot more and going for happiness in that way with the least basic but existing working tech. :fediverse: ✊

Does whatever I'm looking at now tick the human 'box' for caring ? 

Since people are ultimately needing to be perfected (improved) and are faulty / not there yet now, then using the most basic structure and real human transmission per byte (Fediverse / Jitsi) :fediverse: I think is better to solve and organise ourselves.

A lot more deliberate human interaction than jumping into bigger things (which some will exist anyway and ok) which people totally don't understand.

Computing in 2024 alone has caused so much waste and suffering. Maybe it's about time we look at people at lot more.

I'm not against everything else but ask yourself a question:

❓ Does whatever I'm looking at now tick the human 'box' for caring ? ☑️ ?

Or improve real communication between humans? 🤔

need an extra hand for your Go codebase?

need perf improvements to your software?

have a legacy Heisenbug in need of squashing?

want a mature, senior programmer with multiple areas of expertise and a proven & public record of shipping?

have budget for professional?

can they work remotely 100%?

CONTACT ME NOW

I'd love to jump in fast and help! I solve and ship

#programming
#Go
#Golang
#latency
#performance
#tuning
#optimization
#availablenow
#forhire
#contracting
#consulting
#remotework

Creative Commons Zero (CC0) license ("CC0 Content") + Public Domain... 

Just a past to remind me and others how useful CC0 isL

Creative Commons Zero (CC0) license... means that to the greatest extent permitted by applicable law, the authors of that work have dedicated the work to the public domain by waiving all of his or her rights to the CC0 Content worldwide under copyright law, including all related and neighboring rights.

Subject to the CC0 License Terms, the CC0 Content can be used for all personal and commercial purposes without attributing the author/ content owner of the CC0 Content or Pexels.

@strypey I would literally copy and paste it here on the Fediverse as I did my post qoto.org/@freeschool/111898658

Or just let me know and I'll do it, but from your account it's more direct and to assume it's from you. Get it out there and pushed around ! Add 1 picture and call it done until you get around to doing a site (this is the best site here I believe also until then as it's more Social Syndication than Static Site) :thumbsup_hmn_g1:

If you need help to do this just say - just to keep chatting about it might help ... openverse.org is great too

Creative Commons + Indigenous rights (Māori, NZ) - Great notes / quotes... 

@strypey Great notes / quotes below from paper about:

█ Indigenous rights
(Māori, NZ)
█ Creative Commons
(see my previous post for info)
█ Lot of 'that's it' type problems that basically effect / rule us all - and solutions needed for each.

-----------------
My Best 2 Quotes:
-----------------
1 █ "What indigenous peoples need is respect for their collective privacy, and a way of sharing their practical knowledge, while perpetually maintaining their moral rights, and ensuring that their descendants benefit from the fruits of that sharing."

2 █ "One of the major differences is the understanding of ownership as being primarily about control and profit (Western), as opposed to belonging and responsibility to past and future generations (mātauranga)."

General context about:
en.wikipedia.org/wiki/Tangata_

-----------------------------------
The following below seriously blew me away and highlighted the culture cling-film wrap we've been encapsulated in and list of things to consider in keeping or creating ANYTHING.
-----------------------------------

( spaced out a bit to show why each point )

"...according to CC founder Lawrence Lessig (4), audiences and other artists are increasingly one and the same, the goals of CC go beyond merely depenalising the free sharing of cultural works.

The broader vision is about liberating culture from the sterile cell blocks of exclusive ownership, without doing away with any notion of ownership altogether as the anti-copyright movement advocates (5). "

"There are certainly examples of indigenous individuals and projects using CC licences in similar ways, for example on TangataWhenua.com, but how could the CC strategy of modifying copyright be useful to indigenous peoples as culturally distinct groups, requiring a special licence?"

"One possible answer to the question of why an indigenous license was proposed is the inclusion of the CC framework in the NZ Digital Strategy, as a proposed substitute for Crown Copyright."

"Our inherited European philosophy of knowledge (for this discussion, I use the term 'Western' philosophy), with its focus on categorisation, can be traced back at least as far as Aristotle in ancient Greece (8). It breaks knowledge into packets of information assets, assigns them to isolated hierarchies, and divides access to them into two broad domains - private and public."

" three kete (baskets) of knowledge in the tauparapara (incantation) of Tane's ascension to commune with Io (a personification of the "parentless source") in Te Tihi-o-Manono: "te kete-tuatea (basket of light), te kete-tuauri (basket of darkness) and te kete-aronui (basket of pursuit). There are several interpretations of what each basket represents. The scholar Māori Marsden has suggested that the basket of light is present knowledge, the basket of darkness things unknown, and the basket of pursuit is the knowledge humans currently seek", says Taonui in Te Ara (9)"

""The Big Three are also Sir Karl Popper's three worlds - objective (it), subjective (I), and cultural (we). And the Big Three are Habermass' three vailidity claims: objective truth, subjective sincerity, and intersubjective justness" (10)."

"One of the major differences is the understanding of ownership as being primarily about control and profit (Western), as opposed to belonging and responsibility to past and future generations (mātauranga).

The Western approach assumes that there are two possible ways of owning information; privately - owned by a legal person, a human being or an incorporated entity like a company or trust; and publicly - owned by society, as represented by a formal government, usually a nation-state."

To quote the Mataatua Declaration,
"...Indigenous Peoples are capable of managing their traditional knowledge themselves, but are willing to offer it to all humanity provided their fundamental rights to define and control this knowledge are protected by the international community" (13)."

"Applying the quadrants to human knowledge gives us four domains; personal privacy (interior individual), sacred customs (interior collective), personal reputation (exterior individual), and the public domain (exterior collective)."

"What indigenous peoples need is respect for their collective privacy, and a way of sharing their practical knowledge, while perpetually maintaining their moral rights, and ensuring that their descendants benefit from the fruits of that sharing."

"...trade secrets are primarily about competitive advantage, whereas sacred knowledge is about the reinforcement of identity."

" Creative New Zealand recently cut funding to this project, citing the lack of a 'viable business model'. "Creative New Zealand has conducted several reviews of Toi Iho™ since its inception and a consistent theme was that while the ideas underpinning the brand have considerable merit, it has failed to deliver on its promise in terms of increasing sales of Māori art by licensed artists and stockists (retailers)." (16) The value and success of Toi Iho is judged here in purely monetary terms, regardless of its effects on the pride and mana (self-esteem and social recognition) of Māori artists, or its contribution to the public discussion about the authenticity of indigenous art. "

"The cutting irony here is that because Toi Iho works under trademark law, a legal 'person' must own it. Tangata whenua are required to fit themselves into a structure that suits the pākehā legal system before they can take control of a conceptual system created by Māori, for Māori cultural protection, "

"The words of Ka Mate entered the public domain 50 years after his death. In that case, whether copyright was all-rights-reserved or some kind of CC licence is quite irrelevant. Yet, to assume that the haka is simply an authored commodity, equivalent to a commercial pop song, fundamentally misunderstands its nature."

"According to Archer's interpretation, the authorship of Ka Mate was a gradual process of remix and reinterpretation, and to grant a monopoly on it to representatives of one iwi is therefore to deny the traditional usage and shared kaitiakitanga of other iwi."

"This nationalisation of the cultural commons of all peoples living on the islands claimed as territory by the Indonesian state was a massive confiscation of collective property, "

"The fundamental purpose of Mäori law, as the Waitangi Tribunal has noted, is to maintain appropriate relationships of people to their environment, to their history and to each other.

In relation to information law, patent regimes that encourage the devalutation or even criminalisation of homegrown medicine and traditional healing arts, in favour of the commodification of patentable pharmaceuticals, fail this test. "

"The purpose was not to elevate the individual but to build the community."

"This is where the 'Share-Alike' condition of the CC framework may find a place, indicating that these obligations are passed on with the knowledge, "

"We might have to argue in defence of aspects of our personal privacy as society and technology change, but we don't first have to establish the *concept* of personal privacy. We might have to argue for the defence or expansion of the public domain, but we don't have to prove it isn't a unicorn first, and that all knowledge isn't privately owned."

"After experience like the cancelling of Toi Iho, tangata whenua active in this field may be skeptical of any framework that derives from Western epistemology and Pākehā law, and depends on state funding."

"CC licenses distinguish between issues of; copying (allowed in all licences), attribution (BY in all licences), commercial use (NC if commercial use disallowed), creation of derivatives (ND if derivatives not allowed), obligations to receivers of copies or derivative versions (SA if obligations are passed on). CC also has a role in educating about the implications of 'moral rights', and limitations on copyright monopolies, including fair use, and copyright duration."

"CC also offers a model of knowledge ownership that is compatible with free sharing, which can inform the development of a model where indigenous people can both assert their moral rights as custodians of their traditional knowledge, and gift it to the wider human society where appropriate."

"...widespread understanding of Tikanga, as the first law of Aotearoa, and a genuine desire for to provide justice and utu (reciprocity) for the many benefits modern New Zealand has gained from tangata whenua."

-----------------------------------
Seriously blew me away and highlighted the culture cling-film wrap we've been encapsulated in and list of things to consider in keeping or creating ANYTHING.

Lots of well said or precise stuff here.
-----------------------------------

References
(1) Free Software Foundation. What is Copyleft?. 2010-01-08. URL:gnu.org/copyleft/.

(2) Free Software Foundation. The Free Software Definition. 2010-11-12. URL:gnu.org/philosophy/free-sw.htm.

(3) Vollmer, Timothy. CC Talks With: WikiEducator’s Wayne Mackintosh: Open Education and Policy. 2010-06-23. URL:creativecommons.org/weblog/ent.

(4) Lessig, Lawrence. Creatives face a closed Net. Financial Times. 2005-12-28. URL:ft.com/cms/s/2/d55dfe52-77d2-1.

(5) Anti-Copyright. URL:anticopyright.com/.

(6) Pistacchi, Ann Katherine. Spiraling Subversions: The Politics of Māori Cultural Survivance in the Critical Fictions of Patricia Grace, Paula Morris, and Kelly Ana Morey. University of Auckland. 2009. URL:researchspace.auckland.ac.nz/h.

(7) Ministry for Culture and Heritage. Te Ara Copyright Notice. URL:teara.govt.nz/copyright.

(8) Hooker, Richard. Greek Philosophy: Aristotle. Washington State University. 1996. URL:wsu.edu/~dee/GREECE/ARIST.HTM.

(9) Taonui, Rāwiri . Ranginui – the sky - Ranginui as knowledge and life. Te Ara - the Encyclopedia of New Zealand. 2009-03-02. URL:teara.govt.nz/en/ranginui-the-.

(10) Wilbur, Ken. A Brief History of Everything (Revised Edition). Shambhala Publications. 2000-12. URL:shambhala.com/html/catalog/ite.

(11) Stallman, Richard. Thus Spake Stallman. Slashdot.org. 2002-03. URL:slashdot.org/interviews/00/05/

(12) Shroff, Marie. Speech Notes for 33rd Forum of APPA Open Forum: “Privacy and Society” The Experience in New Zealand . Privacy Commissioner. 2010-06-04. URL:privacy.org.nz/assets/Files/Sp .

(13) Mataatua Declaration on Cultural and Intellectual Property Rights of Indigenous Peoples. First International Conference on the Cultural and Intellectual Property Rights of Indigenous Peoples. 1993-06. URL: wipo.int/tk/en/databases/creat .

(14) NZPA. Iwi wants Ka Mate haka in settlement for protection. National Business Review. 2009-02-11. URL:nbr.co.nz/article/iwi-wants-ka.

(15) Toi Iho - Māori Made. About Us. URL:toiiho.com/Aboutus/tabid/249/D.

(16) Māori Arts Services, Creative New Zealand. Statement on Toi Iho™. . 2010-12-02. URL:creativenz.govt.nz/funding/toi

(17) Creative Nz Agrees To Transfer Maori Trademark - Toi Iho Tm. Voxy. 2010-05-21. URL:voxy.co.nz/national/creative-n.

(18) Archer, John. Ka Mate: Ancient Origins. NZ Folksong. 2008-09. URL:folksong.org.nz/ka_mate/9ancie.

(19) Social Science Research Council. The \'Propertization\' of Traditional Arts in Indonesia. URL:ssrc.org/programs/the-properti.

(20) Mikaere, Ani. Are we all New Zealanders now? A Mäori response to the Päkehä quest for indigeneity.. Bruce Jesson Foundation. 2004. URL:brucejesson.com/item/2008/07/b .

----------------------------------

"Tangata whenua" is a Māori term that translates to "people of the land". It can refer to either a specific group of people with historical claims to a district, or more broadly the Māori people as a whole.

en.wikipedia.org/wiki/Tangata_


#History

@Racerdad I do a small podcast where it's 1 or 2 mins max - could send me a sound bit and I'll send it out and put my standard intro on it- Here's examples what you'll get very simple and Fediverse friendly:

1 The Little Prince book - The author's experience writing it.

qoto.org/@freeschool/111845561

2 Fantasy genre website from a fan's perspective

qoto.org/@freeschool/111845709

3 Gary Ackerman's thoughts on AI
qoto.org/@freeschool/111867522

NAS = NAS 

No Agenda Social (NAS)
No Authority Social (NAS)

(same acronym, 2 different things merging somewhat now due to some politics I'm looking into - any help on that?)

And for some related eye candy meanwhile and great picture topics, see:
@showart

noagendasocial.com
noauthority.social
=

Great. Something back on that is the main point.... You're ok with AI and more... the rest might help your write-up in future... 

@wfryer Great. Something back is the main point.

I think most of this kind of problem is really the delay, silence, ignoring while obviously you get it and have been on a lot here. It ends up getting piled up much more than the initial especially with fast people (like me, my bad) so saying "no I'm not into thinking to change this or really standing" means people can be rest assured more of your choices... so it doesn't become anything more.

I appreciate you felt something (more than I was actually sending though I'll have another look for myself to asses) other than perhaps testing you politics to say basically what you said which I will state and was not what you said exactly maybe but will help you in writing in future, so in my mind you're practically doing now and saying:
█ "I'm ok with AI,"
█ "I'm ok with using Google"
█ "I don't necessarily announce right now it's bad or a difference to that in the near future needs to be made by a responsible person and person of position as I am with many others I am recommending things to"
█ "I'm ok with sharing Data with 3rd parties / from my viewers / project etc..."
█ "It's not my priority to look at best practices to overall freedoms / what is more Win:Win"
█ and maybe more I said but don't want to seem like I'm harassing - I'm just good at listing and not forgetting.

I'm a bit surprised it hasn't come up earlier in your long years of teaching. Maybe it's been Google all the way and nobody in the FOSS has sad much. But anyway good for others to know better which even this can show without hate. Plenty of paradoxes I expose naturally from exploring... and that's part of solving I hope.

To finish, I also consider I know only the half or quarter of anything so by asking I learn... and yes I think that is below par but you have at least got back to me. As usual fast comebacks about projects or things people want from others but when it's critique, ah well it's something to evolve I think as it's all healthy and even needs to be conquered to become best pals than distancing.

☑️ Saying so is the main thing. Thanks.

I don't plan on making it longer though naturally paths cross perhaps and yes when you do make a FAQ or decide to make your long-term next-generation-politics clearer then just drop a post on that (and it will helps other read meanwhile when choosing which projects to contribute to) and preferably native text and pics here on the Fediverse rather than elsewhere. To keep the :fediverse: going more than other things... :thumbsup_hmn_g1:

Short extra bit
At the end it is them and us in many ways, choosing this or that is very important in the chain, as it's so well designed now over years and years... so I'm glad you've chosen and happy to hear work on it in the future,

Finally. Just to say I was also thinking good things while waiting and was appreciating, for example, the diversity of things (cooking, bible study etc) so that's worth saying too even if underneath the hood isn't quite right and even measurably with crooked folks.

Kudos nonetheless and can still enjoy what we can. Bye for now.

@LouisIngenthron Do feel free to answer my questions sent to you if you feel like a change to that !

I'm not sure you got my previous messages so without foul intent - here is a public message to my previous attempt!

I even got them here for you and you can search the question marks for what I was asking and yet no reply...

1. qoto.org/@freeschool/111758151

2. qoto.org/@freeschool/111840607

Thanks

@CSB So is that related to your startup?
(I don't get why you send me another link).

@CSB Ok ! It's like important to read it !

Your link in bio - is that not up yet? What's happening with esne.ai

@CSB Ok clearly some issues with links but it was really a Y / N about using Invidious... didn't you read that?

@CSB Ok what about using Invidious instead of youtube direct (with all the ads and tracking?).

Would you consider using those links to pass on to people instead?

(was just example below - and correct link)

redirect.invidious.io/watch?v=

@CSB OK great to listen to something as this post links to......

(although wouldn't you like to you use Invidious links e.g.

invidious.fdn.fr/watch?v=eu05Q

or give choice of server like
:
redirect.invidious.io/watch?v=

........and "me too!" for the topics I like at the moment although AI maybe a bit more than cloud (but maybe it's about both in podcast so I'll have a listen and find out).

If interested in AI also have a listen here on 2min audio:

Gary Ackerman's thoughts on AI
qoto.org/@freeschool/111867522

@CSB Good idea though no? Even as one long scroll of pics or FTP style directory to keep pics going...

Don't you put your comic pics here? Quick looks is AI stuff...

@CSB Is that invitation to follow (anyway I like the idea and just listened to your jingle). Feel free to follow back.

Do you know by the way if there is a collection of all podcast art...? I can scroll either hosts profile but is there a directory with all the cover art of the podcasts?
They are all pretty neat...

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