One of the great privileges of creating the Darwin bicentennial exhibition with Jose Feijo was meeting incredible artists and artisans who developed pieces for the exhibition.

Elisabeth Daynes was one of them: she made our young Darwin (about the age he would have been when he came home from the voyage of the Beagle) by a painstaking process of forensic reconstruction, as described in this inset from the catalog that Filipa Vala and I wrote.